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Interdisciplinary Collaboration on a Service-Learning Project in Savannah: LSU and UGA Students Forge Connections Through Design

students with LSU and GA flags

Landscape architecture students in the LA 3001 Site Planning and Design course led by Yao Wang, assistant professor of landscape architecture in the LSU College of Art & Design, and the PLAN 6520 Urban Design Studio at the University of Georgia (UGA) College of Environment and Design (led by assistant professor Qiong Wang, UGA,) embarked on a transformative field trip to Savannah, Georgia from November 19 to 21, 2024. This three-day journey blended academic presentations, professional development, immersive exploration, creating unforgettable memories, and fostering lasting connections.

Professors Wang speak at podium

Showcasing Collaborative Design

At the heart of the trip was the presentation of a multidisciplinary design for a 367-acre site in Savannah to the Savannah Planning, Zoning, and Urban Design Department and stakeholders. UGA students focused on urban design, while LSU students contributed their expertise in landscape architecture. The project aimed to address the complexities of balancing Savannah’s rich environmental resources with the growing demand for housing, while also promoting climate resiliency. The city planners and stakeholders were impressed with the students’ design work and presentations.

One student noted, “It was an opportunity to translate months of studio work into a professional setting and to receive feedback from experienced practitioners. Savannah, with its rich history of urban planning and carefully preserved design traditions, served as an ideal case study for testing our ideas.” Another student shared, “Presenting to the Savannah Planning Manager felt like a big deal, and hearing his feedback validated our hard work. It was an incredible learning experience. Reflecting on the experience, another student said, “It also put me in a position to face real-world criticism. This has most accurately provided insight to what future professional presentations may look like to clients and other colleagues.”

Beyond academic and professional development, the trip offered opportunities for students from different disciplines to build connections and strengthen bonds. Students said, “This trip was about more than presentations. It was about forming connections, celebrating our efforts, and learning from one another.”​

“Between the games, laughter, and teamwork, this trip brought us closer together,” one student shared. “It was amazing to finally meet the UGA team in person after months of virtual collaboration. This camaraderie added a new dimension to our project.” ​

A Platform for Professional Growth

The students also visited Goodwyn Mills Cawood (GMC), a multidisciplinary design firm, to gain insights into professional practices. Students learned how disciplines such as landscape architecture, urban planning, and engineering come together to address complex challenges. GMC’s emphasis on adaptability, communication, and technical skills resonated with the students, inspiring them to envision their future professional paths.

Students reflected: “Learning from GMC professionals about solutions like wetlands mitigation and flood management was invaluable. It directly related to the challenges we faced in our project.”

“Their guidance on cultivating technical skills and interpersonal abilities, such as communication and teamwork, has broadened my perspective on what it takes to thrive in this field.”

Immersive Learning and Exploration

The group’s base was the Marine Education Center on Skidaway Island, a serene location surrounded by 700 acres of marshlands. Activities included walks along the Jay Wolf Nature Trail and visits to the center’s aquarium, where students encountered local marine life. These experiences underscored the importance of preserving coastal ecosystems and integrating natural beauty into design.

Students recalled: “Stargazing on Skidaway Island was magical,” “The Big and Little Dippers sparkled brightly, and it’s a memory I’ll cherish forever.”​ “Standing on the land we had spent months designing for gave me a real connection to our work. It reminded me of the importance of understanding a place deeply. I’m extremely grateful to our school for allowing us to take part and such a magnificent experience!”

The group also explored downtown Savannah, marveling at its historic squares, River Street, and vibrant culture. One student said, “Visiting Savannah after studying its urban design gave me a deeper appreciation for the city’s layout. It felt almost intimate, as if I had a connection to the streets and landmarks through our work earlier in the semester.”

students by Christmas tree in Savannah

“This field trip was not merely an academic exercise but a journey of discovery, collaboration, and inspiration. It provided an opportunity to connect with peers, professionals, and the environment. This collaboration exemplified the power of interdisciplinary learning and highlighted the significance of service learning in design. It also reminded students of their responsibility as future designers to respect history, nurture ecology, and innovate for a sustainable future.

“We would like to express our gratitude to LSU RRSLA, LSU CoAD, UGA CED, UGA MUPD program, Savannah Planning, Zoning, and Urban Design Department (Planning Manager, John Anagnost), the UGA Marine Extension and Georgia Sea Grant, and UGA Office of Service-Learning for their generous support of the field trip,” professor Wang said.

“We would also like to thank the professors and designers who reviewed the students’ projects: Brendan Harmon, Fabiana Trindade da Silva, Joni Hammons, Hayden Hammons, Max Conrad, and Charles Fryling; Cassie Nichols, Chad Danos, and Rachael Gautier.”

“Additionally, we would like to extend our special thanks to Brent Fortenbury, Interim Director, for his strong support of this project. We would also like to thank the professors and designers who reviewed the students’ projects: Brendan Harmon, Fabiana Trindade da Silva, and Joni Hammons; Cassie Nichols, Chad Danos, and Rachael Gautier. Finally, we appreciate the support of the RRSLA and CoAD professors and staff, including Haley Blakeman, Kalia Jarvis, Allison Williams, and Jerri Jensen.”

Photos taken by Trey Cooper, Yao Wang, Qiong Wang, and Ana Manzo.

 

LSU Announces New Real Estate Design, Construction, and Development Minor: Partnership Between Colleges of Art & Design, Engineering, and Business

The LSU College of Art & Design, College of Engineering, and E. J. Ourso College of Business announce the new Real Estate Design, Construction, and Development (REDCD) minor, which aims to foster interdisciplinary collaboration between the LSU School of Architecture, Burt S. Turner Depart­ment of Construction Management, and the Department of Fi­nance.

“This new minor will appeal to students in related disciplines, as well as those from other majors who have a strong professional interest or career goals in real estate development, architecture, urban planning, construction management, or finance,” said Marwan Ghandour, Director of the LSU School of Architecture. “Students will learn about sustainable real estate/land development principles, commercial real estate finance, urban planning and design, construction methodology and management processes, and public-private sector relationships. It offers undergraduate students a coordinated concen­tration in allied studies, integrating design, urban policy, con­struction processes, and real estate economics to shape the built environment.”

“I commend the collaborative efforts of all three colleges in developing and advancing this exciting new minor. In particular, I am proud to see the innovative vision and unwavering dedication of our finance faculty—Brian Andrews, Kelley Pace, and Carlos Slawson—brought to life, with strong support from the leadership at both the E. J. Ourso College of Business and the university level,” said Yingmei Cheng, chair of the Department of Finance in the E. J. Ourso College.

The REDCD minor requires 18 credit hours, including three core courses from different departments, two electives, and an interdisciplinary project. The project may be linked to competitions within and across the departments like National Association of Home Builders Competition or Urban Land Institute ULI Hines Student Competition, where students from various fields collaborate to reduce a holistic interdisciplinary proposal addressing a real estate challenge.

Learn more.

 

Contact: 

Brian Andrews, Executive Director, Real Estate Research Institute, andrews@lsu.edu

 

About LSU E. J. Ourso College of Business

Since its establishment in 1928, the LSU E. J. Ourso College of Business has served as the flagship business college of Louisiana, playing an essential role in uplifting the economy of the state and the well-being of its citizens. Through its undergraduate, master’s, and doctoral degree programs and professional educational offerings for the business community, the college is committed to preparing future business leaders for success. The college’s dedicated faculty engage in innovative research that directly and positively addresses the ongoing and emerging concerns of our state, national, and global economy. For more news and information about the E. J. Ourso College, visit lsu.edu/business.

“Like” the college on LinkedIn (LSUOursoCollege) or follow us on X and Instagram (@lsuoursocollege).​   

Meet Ashten White: B.A. 2024 & LSU Legacy

Ashten White by Julian White mural

Ashten White by the Julian T. White Atrium Memorial Mural.

 

Ashten White is a soon-to-be LSU graduate, who’s following the legacy of a trailblazing creative family. Her grandfather, Julian T. White, was an architect – the second Black licensed architect in the state of Louisiana, and LSU’s first Black professor.

Ashten, who is an artist majoring in the Bachelor of Art & Design (BA) and minoring in sociology, decided to return to LSU to finish her degree after exploring career opportunities. She was born in New Orleans but spent most of her formative years in Illinois and Texas.

“I decided to finish my undergraduate degree at LSU after taking a five-year break from school to pursue a career in music. When the 2019 pandemic impacted my work, I chose to move from Illinois to Louisiana, to be closer to family and build a sense of community at LSU.”

Before attending LSU, she attended the Art Institute of Houston to pursue a graphic design degree to improve her technical skills. “I decided to finish my degree in at LSU Art & Design to continue sharpening my skills and to explore new mediums and challenge my creativity.”

Ashten White by sculpture“I love working with other artists who see the world through their own unique perspectives,” she said. “It creates an environment where ideas can grow, understanding deepens, empathy flourishes, and we can tackle meaningful challenges together.”

Ashten has loved the LSU School of Art community events throughout her time on campus. “One of my favorite memories at LSU was walking in the Intro to 3D Design fashion show. For the show, art students were challenged to create wearable art that allowed us to express ourselves.”

“I made a corset called Unchained Legacies: A Sculptural Reflection of Freedom, made from keys and chains. This piece reflects on the struggles of those who fought for the freedoms we have today, while also addressing the ongoing social challenges that still need our attention.”

In addition to walking across the stage in December 2024, Ashten says, “I am excited to show my friends and family the art I have been working on in the Barnes Ogden Gallery on campus.”

LSU School of Art Fall 2024 Senior Showcase

“I feel truly blessed to have had a close, personal relationship with my grandfather, Julian T. White,” she shared. “His guidance continues to shape my life and the choices I make for the future.”

“As LSU’s first Black professor, I know he never sought the recognition he received from the university. Many of his former students have shared how deeply he cared for all of them, regardless of their age, race, or background. His kindness and civility have left a lasting impact on the LSU community. I hope the mural in the art building inspires students who may feel out of place, reminding them that they are exactly where they are meant to be.”

The LSU College of Art & Design commissioned the Julian T.  White memorial mural to honor the university’s first African American professor. The college worked with The Walls Project and the White family to design the mural in the LSU Design Building atrium, installed in early 2020. The Design Building was renamed Julian T. White Hall in 2022.

Watch her interview.

Read more about Professor White.

Read more about the Bachelor of Art & Design degree.

LSU NOMAS Named Chapter of the Year

NOMAS Chapter group with award on stage

The LSU National Organization of Minority Architects (NOMAS) chapter was named the 2024 national “Chapter of the Year” at the annual national NOMA Conference and Exposition in Baltimore October 23–27, 2024.

LSU NOMAS President Jennifer White, BArch candidate, won Member of the Year.


Black female student with NOMAS award

 

“We could not be prouder of our architecture students,” said Dana Mitchell, Assistant Dean of Recruitment and Engagement, and founding advisor of the LSU NOMAS chapter. She noted that the last time LSU was named Chapter of the Year, it was a decade ago. “I told them back in January: I believe you can do this.”

The NOMA Chapter of the Year award is given to the student chapter that submits the best Student Chapter Report. The recipient receives a certificate and a $250 grant for future chapter programming. The 2024 submission deadline was October 6, 2024 at 11:59 PM PST. The award will be presented at the 2024 NOMA Conference Awards Banquet.

NOMA, “has as its mission the building of a strong national organization, strong chapters and strong members for the purpose of minimizing the effect of racism in our profession.”

NOMA’s mission, rooted in a rich legacy of activism, is to empower our local chapters and membership to foster justice and equity in communities of color through outreach, community advocacy, professional development and design excellence.

 

Meet Meredyth Yorek: DDes Candidate, DMAE Alum Designing for the Future

 

Meredyth Yorek in Portugal

“My research is at the intersection of digital twins and game design technologies, with a specialized focus on digital preservation,” Meredyth Yorek said.

When she was an undergraduate student first applying to LSU, she had an interest in game design and animation, but didn’t imagine the ways these fields could be applied outside of the entertainment industry. Now as a graduate student charting an impressive academic career, she has gained skills across a range of emerging technologies, had the opportunity to work with NASA, and is part of a technological revolution that is transforming many industries – in Louisiana, and around the world.

Yorek is a Doctor of Design (DDes) candidate in the LSU College of Art & Design. She has a Digital Art Masters of Art & Engineering (DMAE), an MBA from the College of Business, and a BFA in digital art from the LSU School of Art.

As an LSU graduate student, Yorek is using interactive technology to create virtual spaces, from museum exhibitions to a NASA facility.

To Space – And Beyond

As a DMAE student in 2023, Yorek had the opportunity to work with LSU digital art faculty Marc Aubenel, Derick Ostrenko, and Jason Jamerson on the digital twin of the NASA Michoud Assembly Facility in New Orleans – “it’s like a video game exploring a real place,” she said.

“LSU’s Computer Science, Digital Art, and Digital Media Arts & Engineering (DMAE) programs are working with LSU’s Nation Center for Advanced Manufacturing (NCAM) to prototype a forward looking Digital Twin of the Michoud Assembly Facility in New Orleans,” said Marc Aubanel, Director of the LSU Digital Media Arts & Engineering program. “Graduate students in the DMAE program are taking part in creating a cyber version of the manufacturing facility. This gives LSU students a chance to use cutting-edge technology that has been developed for video games and film in a manufacturing context.”

Yorek’s work on the digital twin project supports NASA as they work toward the Artemis mission and provide the next generation for future scientists and engineers, Aubanel said.

Yorek has a background in game design, digital environment design, and virtual reality “digital twins” – creating virtual worlds that mimic real places. As an LSU student she was able to build on these skills, beginning with creating 3D visuals as an undergraduate digital art student, learning coding, to the advanced interactive technology that she works with today.

While working on the NASA digital twin, she learned about photogrammetry and LiDAR, and how to create full blown simulation systems. “One of the challenges was how to run lots of objects in the same world – it’s a lot like game design,” she said. “There’s incredible potential in learning these new technologies and applying it to different scenarios.”

Beyond aerospace engineering, the digital twin technology could be used for defense, businesses, the humanities – the possibilities are endless, she explained.

“This could be applied to almost anything – it’s just: how?”

Yorek’s research as a Ddes candidate is interdisciplinary, as digitizing environments and objects has potential implications for not only art and architectural history, but also anthropology, humanities, engineering, and more. She even worked with the Louisiana Mosquito Abatement project for St. Tammany’s Parish.

Her work on the NASA digital twin project honed her skills in advanced modeling technologies. She now applies this expertise to historical preservation projects, collaborating with museums.

The Future of Museums?

Digital technology is transforming how people interact with museum exhibitions, both in person and virtually, Yorek says. “If you’re able to digitize museum collections, not only can it help the museum to conduct independent research, but it can also connect information between different institutions to create deeper understandings.”

For example, Yorek worked with Ludovico Geymonat, associate professor of art history, to reconstruct sculptural artifacts based on historical evidence, bringing them to life in a digital format. They proved that a series of statues once existed in San Marco Cathedral in Venice, Italy, she said. “The sculptures were broken up long ago, and now an arm is located at a museum in New York,” she explained. “Using digital technology, you can ‘recreate’ the completed object and put the pieces back together to show how they once fit.”

She cited an actively growing field of digital archaeology positively impacting world cultural heritage sites, including the reconstruction of the Notre Dame Cathedral in Paris, France. “After the fire, a video game company (Ubisoft) donated the data to help rebuild the cathedral,” she said. The historic UNESCO World Heritage site was restored thanks to technology.

 

Yorek is now applying her skills for the LSU Museum of Art, where she is digitizing their archives for museum visitors to access virtually. She’s working on producing a digital collection that scholars and visitors could explore through museum websites, creating virtual exhibitions with video game-like interactive components, and researching the business aspects for museums in the future.

“How are we going to get younger generations, or more tech-savvy audiences, into these academic museum spaces?” she said. “Technology will change not only how we’re able to research, but also how future generations will engage with historical sites and artifacts.”

Cultural Heritage For All

“Thanks to virtual capturing technologies, we are able to better understand cultural heritage sites,” she said.

As a Doctor of Design in Cultural Preservation candidate, her work involves finding new ways to incorporate 3D modeling and game design into museum spaces, enhancing both curatorial practices and visitor engagement. Digital formats offer novel interactions with invaluable objects and far-away places, with implications for the future.

“My work explores how techniques such as LiDAR, photogrammetry, and 3D modeling can be applied beyond gaming, particularly in the preservation and visualization of cultural heritage,” she said. “I’ve always loved art history, learning about the history of new places. Now the challenge is how to make these experiences more available to people around the world?”

Digital technology will help change the ways new audiences are educated, and how they become interested in history. One can model what a place or item looked like thousands of years ago, see how it changed or developed over the years, and make predictions for the future. These technologies can be used to help preserve cultural heritage sites for the future, so they will be there for generations to come.

“I believe that our cultural heritage is so important, but few people have access to many places,” Yorek said. “This research and technology is going to help connect museums, and people, from around the world.”

Female student smiles, man uses tech

Virtual technology demonstration at LSU, 2019.

A Tiger – 3 Times

Meredyth Yorek with grad cap by yellow bench at LSU

She has come a long way since her very first digital art class, she said. Every time Yorek has considered the next step in her education and career, she has chosen LSU.

When Yorek first came to LSU as an undergraduate student, LSU was the best value education for her: “to get a degree, you shouldn’t have to put yourself into debt,” she cautioned.

She recalls how, as a youth, she watched How to Train Your Dragon and decided that she wanted to do animation. “As a kid from Louisiana that wanted to work in the entertainment industry, I read I had to go to California,” she said. “But that’s simply not true anymore – there’s a fast-growing scene and network of opportunities to study and work right here.”

At the LSU School of Art she had the opportunity to study game design and expand her skills. She then decided to study digital art further with her masters, getting a dual degree in business to gain more valuable skills. “I never imagined doing digital twin work, but I realized, ‘wait, my brain works both ways! I could do this, too!’” It led her on an unexpected but exciting new path.

 

graduating studentAfter her DMAE, she started looking into Doctor of Design programs and found only a handful in the country – and LSU’s is by far the most affordable, she said. “LSU has helped make it possible for me to go for the career I want.”

She has learned that she loves teaching, and would one day enjoy teaching the next generation of future designers. “I have now taught the 3D design class that I took myself as an undergraduate student at LSU! Life is coming full circle,” she laughed.

Her favorite memories at LSU, every step of the way, have been the people she has found and loved working with. The support network at the LSU School of Art has been incredible, she said.

For future students, she advises: “Don’t be afraid – to make mistakes, to not be the best in every area. Find what you’re excited about and lean in to that strength. It might not be what you expected you’d love, and that’s okay. Don’t be afraid to talk to new people – in class, your professors – create a community and build those connections.

“It’s hard, but ultimately it will help get you to the fields of your dreams.”

Read more about the DMAE.

Read more about the Doctor of Design.

Yao Wang Awarded NSF Grant For Flood Risk Mitigation Research

Yao WangYao Wang, assistant professor of landscape architecture, has recently received numerous grants for her research on changing coastal environments in Louisiana and the Southern United States.

NSF: Flood Risk in Louisiana

In August 2024, Wang was co-principal investigator on a team of researchers awarded a grant from the National Science Foundation (NSF) for the project titled, “ReDDDoT Phase 2: Climate-Informed Flood Risk Mitigation Sandbox.”

“This project aims to address the growing flood risks faced by Louisiana communities, collaborating with public, private, and academic partners, as well as decision-makers from five Louisiana parishes,” Wang said. “We are developing an interactive flood mitigation software platform—a flood risk mitigation sandbox tool—designed to empower stakeholders to explore, simulate, and evaluate floodplain ordinances while assessing future flood risk impacts.”

As climate change intensifies flood risks, this platform will offer data-driven solutions to help communities plan and implement resilient strategies. By incorporating comprehensive datasets, advanced statistical methods, and extensive stakeholder input, the project will deliver scientifically robust and socially responsible flood mitigation tools, with a special focus on supporting low-capacity communities, the researchers said.

The project team also includes: principal investigator  Carol Friedland, LaHouse Director and Associate Professor at LSU AgCenter; Adam Reeder, Md Adilur Rahim, and Rubayet Bin Mostafiz.

Louisiana Sea Grant: Adapting Coastal Louisiana

In June 2024, Wang was funded by Louisiana Sea Grant for “Evaluating the Integration of Nature-Based Solutions in Coastal Louisiana Parishes for Climate Resilience and Equity.”

“The objective of this study is to assess the integration of nature-based solutions (NBS) policies and actions at the local level in Louisiana’s coastal zone, with an emphasis on their potential to strengthen climate resilience. The specific aims are: (1) Identify the presence of NBS policies and actions incorporated into parish plans. (2) Investigate differences in the prioritization of NBS policies and actions across parishes. (3) Assess the degree to which NBS policies and actions tackle issues of systemic racism and inequality.”

This research aligns with the goals of Louisiana Sea Grant (LSG)’s Resilient Communities and Economies (RCE) focus area, which aims to support coastal communities in adapting to changing conditions and safeguarding their well-being. By exploring the integration of NBS in Louisiana’s coastal zone, this study contributes to the development of effective strategies for climate change adaptation and community sustainability, in line with the objectives of LSG’s strategic plan.

“Thanks to the Louisiana Sea Grant, Dr. Matthew Bethel, Associate Director for Research,” Wang said.

Rural Georgia: Past Louisiana to the U.S. South

In September 2024, Wang’s work “Resilience-Based Adaptation in Rural Georgia: A Comparative Analysis of Nature-Based Solutions for Flood Risk Management in Coastal and Inland Counties,” with Dr. Qiong Wang, was presented at the University of Georgia Rural Engagement Workshop for Academic Faculty.

“This research focuses on climate-induced flooding in rural Georgia, where 406,440 properties face severe flooding risks within three decades,” Wang said.

“Despite mitigation savings, rural areas lack resources and precise geospatial data, hampering effective flood resilience strategies. Current research often overlooks rural green infrastructure, emphasizing the need for rural-specific solutions. The study will use GIS and hydrological modeling to assess flood risks and the benefits of nature-based solutions in Wayne and Brooks counties. By mapping flood-prone areas and evaluating interventions, this project aims to guide policymakers and planners in enhancing climate resilience through well-informed, data-driven decisions. Through collaboration between academic and outreach faculty, UGA can further accelerate this research and directly support rural communities in Georgia, reinforcing its commitment to serving the state’s citizens.”

Wang is a faculty member at the LSU Robert Reich School of Landscape Architecture. Her research encompasses climate resilience (both mitigation and adaptation), environmental planning and policy, community engagement, and sustainability. Her research interests lie “in advancing inclusive engagement strategies within climate change adaptation planning, advocating for power-sharing in the decision-making process to foster equitable procedures and outcomes.” 

Alumni Spotlight: Brittni Bell Warshaw

Brittni Bell Warshaw

Brittni Bell Warshaw (BFA 2014) was selected for the International Art Prize 2024 launched by the Paul Smith’s Foundation and Winsor & Newton.

Warshaw is a Tokyo, Japan-based artist. She was recently honored in London along with five other artists internationally and her work is currently on view at the Paul Smith store in Ginza, Tokyo until January 2025.

Paul Smith’s Foundation and Winsor & Newton have partnered to launch a new art prize in painting and drawing. Six winning artists were selected from a free-to-enter open call, chosen by a notable, local industry representative who has the networks and experience to develop an artist’s professional practice. For this first year the prize took place in London, Paris, New York, Los Angeles, Tokyo and Hong Kong. A winning artist was selected for each city.

Each winner received up to £1,000 of materials from Winsor & Newton and £1,000 from Paul Smith’s Foundation to make a new piece of work that responds to the theme of “Finding inspiration everywhere.” These works were then exhibited for sale in a Paul Smith store. 

As the Tokyo winner of the International Art Prize, Brittni was selected by Kyoko Hattori, the vice president of the new PACE gallery in Azabudai Hills, Tokyo.

Brittni recently began painting again after ten years with a career as a commercial food photographer. Inspired by Renaissance color palettes and techniques, Brittni works in acrylic and oil pastels, primarily on raw and treated canvas. Her work explores the themes of identity, motherhood, and personal evolution.

Originally from Baton Rouge, Brittni received a BFA from the LSU School of Art with a concentration in photography. After a nearly decade-long hiatus from painting, Brittni rekindled her love for the medium. She now explores the world of abstract art, creating expressive works with acrylics and oil pastels in her home in Tokyo. Her current body of work, “You are Yours, I am Yours, I am Mine,” is a family affair, as she collaborates with her 3-year-old daughter, Ari, bringing a unique and playful perspective to her creations. Additionally, Brittni is a poet, weaving words with the same passion she brings to her visual art.

Her artist’s statement:

Brittni Bell Warshaw's Artist's statement "You are Yours, I am Yours, I am Mine"

painting in store

abstract painting by Warshaw

Birch and Blakeman Awarded NAS Grant for Gulf Design Futures

haley blakeman and traci birch

The Gulf Research Program of the National Academies of Sciences, Engineering, and Medicine announced today $5.9 million in awards to support the development of eight Gulf Futures interdisciplinary design studios at institutions with accredited architecture programs in U.S. Gulf states. These studios support undergraduate and graduate-level interdisciplinary design courses intended to prepare students to use design thinking to develop innovative solutions to critical issues in the Gulf of Mexico region.

LSU researchers Traci Birch, associate professor of architecture and director of the Coastal Ecosystem Design Studio (CEDS), and Haley Blakeman, assistant professor of landscape architecture and associate director of the Robert Reich School of Landscape Architecture, were awarded a grant by the Gulf Research Program of the National Academy of Sciences for their “Gulf Futures” Louisiana Ecosystem Design studio, which will help train the next generation of design professionals for future challenges in the Gulf region.

In addition to architecture students, the design studios seek to engage non-architecture majors to collaborate and build knowledge, providing students with the opportunity to better understand the multifaceted and complex nature of the challenges facing the Gulf region and to work together to identify and propose integrated and innovative solutions. Through its support of these studios, the GRP aims to help prepare the next generation of architects, designers, and professionals in urban development and related areas.

“Preparing the next generation of professionals to work creatively and collaboratively to address complex regional challenges is one of the top priorities of GRP,” said Lauren Alexander Augustine, executive director of the Gulf Research Program. “We’re delighted to extend our support for these bold and collaborative design studios to help us visualize possible futures for the Gulf region.”

The LSU Gulf Futures (Louisiana Ecosystem Design) studio aims to build resilience through interdisciplinary collaboration, the program directors said. LSU design students are being trained in design thinking, problem-solving, transdisciplinary work, resilience, working with communities, urban stormwater management, and other critical skills for managing future environmental changes in the Gulf region.

“We intend to use the grant to memorialize the Gulf Design Futures Studio at LSU so that it systematically changes the way we problem-solve and adapt to climate change in south Louisiana,” Birch and Blakeman said. “This program will strengthen local, state, and federal partnerships, and address systematic issues currently hindering interdisciplinary work.”

Through the program, the researchers hope to accomplish: 1) Maintain and expand cross-disciplinary collaborations between designers and scientists – both within LSU and peer institutions – to support community-based design education, community partnerships, and useful outcomes to address climate impacts regionally, 2) Bolster interdisciplinary and co-design frameworks and methodologies so students, community stakeholders, and resource agencies can collaboratively address issues of risk and resilience, 3) Develop and maintain strong community partnerships that provide capacity and support to communities struggling to adapt to climate change; 4) Create active learning spaces that support students, communities, and faculty in innovative collaboration, education, problem-solving, and knowledge creation, and 5) Provide long-term support to fellow faculty to make this approach to co-production and design education an accessible research and teaching focus.

Collaborators such as potential guest lecturers include: LSU School of Architecture faculty Fabio Capra Ribeiro and Annicia Streete; landscape architecture faculty Yao Wang, Fabiana Trindade da Silva, and Joni Hammons; LSU School of Interior Design director Marsha Cuddeback; Clint Wilson, LSU civil engineering faculty and dean of the College of Coast & Environment; LSU Oceanography and Coastal Sciences faculty Traci Quirk and Matthew Hiatt; Michael Pasquier, LSU College of Humanities and Social Sciences; Linda Hooper Bui, LSU Environmental Sciences/National Academies Gulf Scholars Program (GSP); Granger Babcock, LSU Ogden College and LASAL Scholars Program; Marla Nelson, University of New Orleans Urban and Regional Planning; and community partners including Louisiana Office of Community Development, Federal Emergency Management Agency, Louisiana Coastal Protection and Restoration Authority (CPRA), National Wildlife Federation, Louisiana Folklife Program, and the Atchafalaya National Heritage Area.

Program directors Birch and Blakeman and associated LSU faculty (Clint Wilson, engineering; Nicholas Serrano and Yao Wang, landscape architecture; and Fabio Ribero, architecture) previously worked with the NAS GRP for the first 2-years of this pilot design studio program. This work built upon previously supported interdisciplinary research through the NAS GRP Thriving Communities program, which focused on participatory design processes and semester-long courses to identify strategic opportunities for nature-based solutions that reduce risk and improve well-being in Louisiana. Moving forward, the project leaders will work with additional Louisiana communities and build stronger partnerships. “We are enthusiastic about continuing this work!”

Ultimately, they aim to create a model for community-based interdisciplinary design education in Louisiana.

Learn about the Coastal Ecosystem Design Studio (CEDS).

Learn about the LSU School of Architecture.

Learn about the LSU Robert Reich School of Landscape Architecture.

New LSU Master of Interior Design Degree

The LSU College of Art & Design announces the new Master of Science in Interior Design Degree, the first graduate-level degree offered by the LSU School of Interior Design.          

The first degree of its kind to be offered at LSU, the MS in Interior Design will serve design professionals in the region seeking graduate level education.

“The Master of Science in Interior Design provides opportunities for students to explore the broad spectrum of interior design research and practices related to the social, cultural, and environmental dimensions of health and wellbeing, and supports advanced research across multiple scales and settings, shaping the interior environment and human behavior,” said Marsha Cuddeback, Director of the School of Interior Design.

“The program facilitates a collaborative environment among disciplines for advancing creative and academic scholarship in interior design. Student will conduct applied research to address the impact of contemporary challenges to enrich the future of the lived experience.”

This program is intended for designers and practitioners interested in developing their knowledge and expertise related to the study of the interior environment, advance their professional careers, or pursue an academic career path. Areas of concentration might include, but are not limited to, health environments, cultural identity and place, environmental stewardship, integrated design, spatial design, lighting design, and daylighting.

Learn more at https://design.lsu.edu/interior-design/admissions/master-of-interior-design/.