The LSU College of Art & Design 2022 Fall Commencement Ceremony is Friday, December 16, 2022, at 3 p.m. in the Student Union Theater.
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Lake Douglas Fall ’22 Commencement Speaker, To Retire
Lake Douglas, PhD, ASLA, is the LSU College of Art & Design fall commencement 2022 ceremony speaker. Associate dean of research and development and associate professor of landscape architecture at the College of Art & Design, Douglas has announced his retirement from LSU after over 15 years of service at the Robert Reich School of Landscape Architecture.
A licensed landscape architect, Douglas has published numerous articles; books and book chapters; critical essays; and reviews in national and international anthologies, professional journals, and popular publications about diverse topics within the design disciplines, and his writings have received national and regional recognition. Public Spaces, Private Gardens: A History of Designed Landscapes in New Orleans (2011) received honor awards from the American Society of Landscape Architects and its Louisiana chapter, together with the Williams Award from the Louisiana Historical Association. Recently published books include Steward of the Land: Selected Writings of Nineteenth-Century Horticulturist Thomas Affleck (2014) and Buildings of New Orleans (2018). Douglas is also series editor of Reading the American Landscape for LSU Press.
“When Lake was appointed as the associate dean for research and development, the college did not have an advanced doctoral program,” said Alkis Tsolakis, dean of the College of Art & Design. “It is due to Lake’s efforts and intellectual pursuits that we have this program now.”
“Sitting where you are now, 50 years ago, I could not have imagined where I would be today,” Douglas addressed the College of Art & Design graduates at the commencement ceremony December 16, 2022. “Savor the periods of growth and success, but don’t let artistic stability turn into creative stagnation. Remember: it’s not as much about reaching the destination as it is enjoying the ride, living in the moment, and learning from past success and failures as you chart a pathway forward.”
Douglas received a Bachelor of Landscape Architecture from LSU, a Master in Landscape Architecture from Harvard Graduate School of Design, and a PhD in Urban Studies/Urban History from the University of New Orleans. His dissertation investigated 19th-century horticultural commerce in New Orleans as an agency of community cohesion, and his current research involves documenting cultural landscapes of the Gulf South through investigations of public spaces, domestic gardens, people, and written evidence. Other areas of interest include enhancing communities through cultural development, using research skills to inform design strategies, and developing communication skills in design through effective writing.
Douglas is also actively involved in grassroots efforts to enhance and increase public open space in New Orleans.
Watch the ceremony speech:
Design Building Renamed Julian T. White Hall

Julian T. White Hall, formerly the Design Building, has been renamed to honor Julian T. White, the second Black licensed architect in the state of Louisiana. White was also LSU’s first Black professor who began teaching in LSU’s Architecture Department in 1971. In 2020, the LSU College of Art & Design unveiled a three-story mural of White in the atrium of the Design Building, which will now be named in his honor.
“Naming the building after Professor White honors the momentous impact he had on so many students, and all of LSU,” said Alkis Tsolakis, dean of the College of Art & Design.

Artist Robert Dafford works on Julian T. White memorial mural in the LSU Design Building. Photo by BFA candidate Micah Viccinelli.
Annual Report 2021-22

The College of Art & Design Annual Report 2021-2022 is live! Check out the digital publication with videos & links to stories from the year.
Porcelain, Identity & Race
LSU Museum of Art Exhibition Co-Curated by LSU Doctoral Student, Faculty Receives SEMC Award

The LSU Museum of Art (LSU MOA) is honored and pleased to announce it has received awards in the 2022 Southeastern Museums Conference (SEMC) Exhibition and Publication Competitions. This annual competition is open to museums in the southeastern region to submit exhibition and publication projects for review of merit. In the 2022 exhibition competition, The Boneyard: The Ceramics Teaching Collection was selected for the Bronze Award in the Under $25,000 budget category. The exhibition was co-curated by Andy Shaw, LSU associate professor of art/ceramics; Courtney Taylor, (former LSU MOA Curator and Director of Programs) currently Doctor of Design candidate and LSU College of Art & Design graduate assistant/Boyce Gallery coordinator; and Grant Benoit, former LSU MOA Educator and Manager of Public Programs.
Inspired by the visiting artist tradition, The Boneyard: The Ceramics Teaching Collection presented the energy and legacy of ceramics demonstrations through bisqueware. Included in this exhibition were over 200 bisque works that provide a valued resource for LSU School of Art’s top-ten ranked ceramics program. The ever-growing collection was displayed at LSU MOA to imitate the classroom use of the boneyard. The “boneyard” refers to the unique display on bisque works on high shelves in the studio, showcasing a variety of techniques, improvisation, and skill. Faculty and instructors pull bisque objects from the shelves in order to highlight specific techniques and attributes of form. This exhibition also featured rotating displays and a demonstration space activated by MFA students, local artists, and visiting artists allowing museum visitors to share in the boneyard tradition—to watch clay transform and to see artist-specific techniques shared in the openness of the craft tradition.
“Co-curating this exhibition with Andy and Grant was not only enjoyable, but incredibly rewarding,” Taylor said. “The collaboration between LSU MOA and the School of Art was a model experience curatorially, but also in terms of exhibition preparation and public programming. The exhibit featured LSU School of Art collections, was co-curated by a faculty member, and translated studio teaching methods into the gallery. There were also less-obvious collaborations that were integral to the project: current and former LSU student ceramicists facilitated public programs and the exhibition furniture was fabricated in LSU College of Art & Design’s Design Shops by students. The collaboration bolstered experimentation and engagement that expanded my own curatorial practice—and hopefully offered a model for deeper museum-college collaborations in the future.”
The Boneyard: The Ceramics Teaching Collection was a collaboration between the LSU MOA and the LSU School of Art. Previous partnerships between the School of Art and the LSU MOA inspired the proposal to highlight the ceramics bisque collection, “the boneyard” through a public exhibition. The resulting exhibition and the programming surrounding the exhibition were the result of an engaging and productive collaboration among the curators Taylor, Benoit, and Shaw.
The educational focus of The Boneyard and the inclusion of a studio space within the galleries of LSU MOA is reflective of the innovative visions at the museum, Shaw said. Through the studio space, audience members witnessed artists making works that would eventually be added into the collection. Audience members and demonstrating artists shared conversations about process and inspiration, benefitting both LSU art students and community members.
Watch a visiting artist share her process:
Taylor and co-authors Benoit and Shaw are publishing a chapter in the forthcoming book Dimensions of Curation: Considering Competing Values for Intentional Exhibition Practices, to be published by the American Alliance of Museums, applying the “Dimensions of Curation Competing Values Exhibition Model” using this exhibition as a case study.
LSU Art and Theater Talent Tapped by State to Improve Louisiana Cybersecurity
Two LSU graduate students are collaborating with the Louisiana Governor’s Office of Homeland Security and Emergency Preparedness on a series of high-profile Cybersecurity Awareness Month public service announcements with Louisiana flavor.
MFA candidate Isabella Mire is working with GOHSEP on three 30-second educational videos to roll out this October, which is national Cybersecurity Awareness Month.
New Virtual Production Studio at LSU
National Academies’ Gulf Research Program Awards LSU
The National Academies of Sciences, Engineering and Medicine’s Gulf Research Program, or GRP, recently announced awards to five universities, including LSU, for the creation of interdisciplinary architectural studio design courses that engage with the unique features of the Gulf of Mexico region. Traci Birch, assistant professor of architecture and managing director of the LSU Coastal Ecosystem Design Studio, now offers a new course, called Grand Isle Studio: Exploring Barrier Island Design, about coastal resilience and nature-based risk reduction strategies.
Grand Isle Studio: Exploring Barrier Island Design draws heavily from ongoing coastal research, engaging researchers from across the campus around issues of coastal resilience. A fall studio and three related spring courses will focus specifically on barrier island conditions – from land loss and storm impacts to extreme population and tourism expansion. Projects will draw students and faculty from architecture, landscape architecture, civil/coastal engineering, and coastal ecology to collaborate on design strategies.
“The course will engage faculty and students from across the LSU campus, and in particular the College of Art & Design and the College of Engineering, to address issues of coastal settlement, resilience, and protection in the Louisiana coastal zone,” Birch said.
Birch (the course director) and associated LSU faculty Clint Willson, College of Engineering; Kris Palagi, School of Architecture; Nicholas Serrano and Brendan Harmon, Robert Reich School of Landscape Architecture had the opportunity to work with the NAS GRP Thriving Communities program under the associated four-year research grant – Inland from the Coast (IFC). Led by the LSU Coastal Sustainability Studio (CSS), the project, which focused on building resilience to inland flooding, provided the initial framework for the new course.
The goal of this class is for students to explore, expand, and integrate their knowledge of ecological, social, and infrastructural systems to guide design development. “This Grand Reduction design studio will address architectural permanence in an environment of continual transformation, while encouraging imagination and design innovation for the good of the ecosystem,” Birch said.
The culmination of this work will be an inter-disciplinary installation in the Clark and Laura Boyce Gallery in the Design Building for student, faculty, community members project advisors, and experts; as well as high quality studio books by each class for information dissemination to the public.
Read more and meet Traci Birch.
LSU Combines Undergraduate Science, Engineering, Arts, Humanities to Benefit Coastal Communities

