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Charlston Britton Jr. Awarded 2016-17 Simpson Strong-Tie Scholarship

lsu mcnair scholarCharlston Britton Jr., fifth-year undergraduate in the LSU School of Architecture, was awarded a Simpson Strong-Tie scholarship for the 2016-17 academic year.

The scholarship was established by the Simpson Strong-tie Company to assist architecture, structural engineering, and construction management students from participating colleges and universities in the United States. Scholarship recipients are selected on the basis of academic record, demonstrated leadership, and participation in school and community activities.

Britton will graduate from the LSU School of Architecture in May 2017 with a Bachelor of Architecture and a minor in construction management. As a native of New Orleans, Louisiana, Britton has experienced both the positive and negative effects the design of the built environment has on society. During his third year of study, he was named a 2015 Ronald E. McNair Research Scholar, and he conducted design research on urban resilience the following summer. Britton has served as the vice president of the LSU chapter of the National Organization of Minority Architecture Students, or NOMAS, a student organization that strives to create diversity within the design professions by promoting the excellence, community involvement, and professional development of its members. During the summer of 2016, Britton interned at Picardie Timber Frame + Millwork to gain more knowledge of the construction industry. He has also volunteered for STEM NOLA, a program that exposes, inspires, and engages members of the surrounding communities about the opportunities in science, technology, engineering, and mathematics.

Currently, Britton is seeking to gain work experience while applying to graduate programs in planning, including the Master of Science in Community and Regional Planning program at the University of Texas at Austin and the Master of Urban and Regional Planning program at the University of New Orleans.

For more information about the Simpson Strong-Tie scholarship, visit strongtie.com/scholarships. Visit architecture.lsu.edu for more information about the LSU School of Architecture.

Alumni Profile: Evan Mather, BLA 1993

evan mather

Evan Mather, independent filmmaker and principal of AHBE Landscape Architects in Los Angeles

Evan Mather, independent filmmaker and principal of AHBE Landscape Architects in Los Angeles, is one of four Robert Reich School of Landscape Architecture alumni to be elevated to ASLA fellowship in 2017.

Mather received his nomination for ASLA fellowship in the knowledge category from the Southern California chapter of the organization.

For the past 20 years, Mather has used film and video to engage and educate the general public and advance the practice of landscape architecture. As stated at asla.org, “Mather communicates the complexities of landscape architecture in ways that rivet the imagination . . . and expose a universe of viewers to virtual landscapes they would not otherwise enjoy.”

To date, Mather has made two feature films and dozens of short films that profile projects and designers, communicate urban design and sustainability issues, and virtually immerse viewers within landscapes. “Every project has a story—a unique project site inherent to the design, a story about the designer and his or her concept,” emphasized Mather. “I use film to integrate narrative with a sense of place.”

Originally from Baton Rouge, Mather was planning on studying film at the University of Texas in Austin, when he received a full scholarship to LSU.

“My plan was to go to LSU for a couple of years and then transfer to UT later on, but in the meantime I had to pick a major,” Mather recalled. “I had a friend in landscape architecture, and one Sunday night, he took me to the studio, where I met Doc Reich and some of the students who were busy working on final projects. I was so inspired I chose to study landscape architecture—and never switched.”

Mather received his Bachelor of Landscape Architecture with honors from the LSU Robert Reich School of Landscape Architecture in 1993. While studying at LSU, he worked as a computer specialist for the Mid City Redevelopment Alliance in Baton Rouge and as a student manager of the LSU College of Art & Design’s Computer-Aided Design and Geographic Information Systems (CADGIS) lab—which to this day provides students and faculty access to large-scale printing, scanning, computer services, and specialty software. Mather credits this experience for his dual career in landscape architecture and film.

“My experience in CADGIS prepared me for my future career,” Mather stressed. “I would not have been able to do film—primarily digital—without the computer literacy and early introduction to technology that I received at LSU.”

Mather quickly took advantage of his background in technology, combining it with his professional niche. After graduation he joined Nakano Associates in Seattle, where his groundbreaking design visualizations helped the firm land the environmental impact study for the Seattle Seahawks football stadium project. This success led to more design visualization projects, and by the early 2000s, Mather was one of the leading experts on the use of digital video applications in his profession. He has shared his technical knowledge at international film festivals and conferences, including at the International Film Festival Rotterdam in 1999; the Festival International du Film de I’Internet in Lille, France, and the MIT Digital Cinema Conference in 2000; and the Seoul Net Festival in 2001. His works have been profiled in Time, Newsweek, The New York Times, Wired, and the Australian cinema journal, Senses of Cinema, and he has screened his work at Sundance, South by Southwest, and at several galleries, including the National Building Museum in Washington, D.C., Walker Art Center in Minneapolis, the A+D Architecture and Design Museum in Los Angeles, and the Seattle Art Museum. His films have also been broadcasted on the Sundance Channel and the Documentary Channel and on National Public Radio.

Educators routinely use Mather’s films to introduce students to the field of landscape architecture; for example, faculty at LSU screen Building a Sustainable Future to illustrate techniques of implementing green infrastructure, and Mather’s adaptation of Kevin Lynch’s The Image of the City has been screened at UCLA to teach urban design theories. Mather’s films have been commissioned by design firms and funded by grants from organizations and individuals. His feature-length film, From Sea to Shining Sea, a contemporary portrait of the United States experienced via a cross-country time-lapse video and audio collage, was produced by ASLA, and his 2009 film, A Necessary Ruin: The Story of Buckminster Fuller and the Union Tank Car Dome, a documentary that tells the history of Union Tank Car Dome, located north of Baton Rouge, Louisiana, through interviews with architects, engineers, preservationists, media, and artists, was funded by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

From Sea To Shining Sea from Evan Mather on Vimeo.

A Necessary Ruin: The Story of Buckminster Fuller and the Union Tank Car Dome from Evan Mather on Vimeo.

Throughout his burgeoning and bustling film career, Mather has continuously worked as a landscape architect and is a registered landscape architect in California. In 2003, 10 years after he graduated from LSU, Mather joined AHBE Landscape Architects in Los Angeles, where, as a principal and owner, he works on parks, civic, education, healthcare, hospitality, transportation, housing, offices, and retail projects—all while providing the general public with his unique insight to the design process through his films.

Learn more about Mather’s films at handcraftedfilms.com, and visit ahbe.com for more information about AHBE Landscape Architects. View the complete list of ASLA’s 2017 Class of Fellows at asla.org.

Alumni Profile: Kamel Mahadin, MLA 1984

kamel mahadin

Mahadin drawing the master plan for a project in Abu Dhabi

Dr. Kamel Mahadin is one of four Robert Reich School of Landscape Architecture alumni to be elevated to ASLA fellowship in 2017.

Mahadin received his nomination for American Society of Landscape Architects fellowship from the organization’s Council of Fellows Executive Committee for his life-long service. Currently a Jordanian senator, Mahadin is one of the highest appointed landscape architects in the world.

Roughly similar to Dana Brown’s entrée to the profession, Mahadin’s career in landscape architecture began with LSU alumnus and former faculty member James Turner.

After graduating high school in Mafraq, Jordan, Mahadin received a scholarship from the U.S. Agency for International Development to study architecture at the American University of Beirut. Four years later, due to war-time instability in Lebanon, his scholarship was transferred to the U.S., where he finished his studies, ultimately earning a Bachelor of Architecture from Kansas State University in 1979.

Mahadin had returned to his homeland and was working as an architect at Jafar Tukan & Partners and teaching at the University of Jordan when, in 1982, he met Turner, who was in Jordan as a Fulbright Scholar and working as a campus planner at the very same university where Mahadin was teaching. The two became fast friends, and Turner encouraged Mahadin to pursue a Master of Landscape Architecture at LSU.

“I was accepted at LSU, and I learned from such top-notch designers—Robert Reich, James Turner, Sadik Artunc, Neil Odenwald, Max Conrad, Van Cox, Charles Fryling, and Wayne Womack,” shared Mahadin. “I did very well in the program and fell in love with the profession.”

Mahadin received his landscape architect registration in Texas and Louisiana during his second year of master’s studies at LSU, and in 1985, two years after receiving his master’s, he served as LSU’s first campus planner. He taught at Texas A&M University while pursuing his Doctorate in Environmental Design, which he completed in 1987. After receiving his doctorate, Mahadin returned to Jordan and founded MK Associates, the country’s first firm dedicated to the practice of landscape architecture. To date, Mahadin has completed hundreds of projects around the world, including Tripoli Park in Libya; the project management of several hospitals in Iraq; and, in his own country, the International Hotel Aqaba, the Marriott Jordan Valley Resort & Spa in Dead Sea, and two parks for King Abdullah II, one in Aqaba and one in Irbid.

“My passion has always been for design,” iterated Mahadin. “I love designing by hand, working with color, and transforming spaces.”

As the forefather of landscape architecture in Jordan, Mahadin cofounded the Middle East Academy for Landscape Architects (MEALA) and served as a landscape consultant for the Greater Amman Municipality, Mu’tah and Al’Albeit universities, the Jordan Ministry of Tourism and Antiquities, and the Hashemite Royal Court. It was only natural that his career would segue into public service and leadership. By the late 1990s, Mahadin was elected as the Minister of Water & Irrigation. He has since served as the member or chairman of several boards. From 2012–14, he was the chair of the boards of the Aqaba Airports Company (King Hussein International Airport), Aqaba Container Terminal, Aqaba Development Corporation, and Chief Commissioner of Aqaba Special Economic Zone Authority. He resigned from his post as chief commissioner in 2014 when he was named a senator of the Jordan Upper House of Parliament.

“Working with government has been challenging but fruitful,” commented Mahadin. “I am proud to have introduced landscape architecture as an important factor in preserving Jordan’s national heritage and to have played an important role in establishing environmental strategies for preserving our historic sites.”

Throughout his entire career, Mahadin has remained, at heart, an educator. He is currently a professor of landscape architecture at the American University of Madaba. As one of Jordan’s few—if not only—architecture professors registered by the ASLA, the International Federation of Landscape Architects, and the Jordan Society of Architects and Engineers, he has introduced more than 3,000 students to the profession of landscape architecture. He has written seven books on landscape architecture, three published in Rome. His penchant for design obviously runs in the blood; three of his sons have followed in his footsteps and are practicing landscape architects. They graduated from Mississippi State University under the guidance of Mahadin’s former mentor, Sadik Artunc.

As stated at asla.org, Mahadin “motivates with words, enraptures with landscape design, and inspires with artistry. He uses his extraordinary gift for drawing to communicate design concepts that capture the spirit of his nation.”

Mahadin said that as a citizen of Jordan living overseas, “It feels good to be recognized by ASLA for my work. I’m proud that I went to LSU and proud that I’ve been taught by the best mentors in the world of landscape design.”

Learn more about Mahadin and MK Associates at mk-assoc.com. View the complete list of ASLA’s 2017 Class of Fellows at asla.org.

Alumni Profile: Dana Brown, BLA 1979

dana brown

Dana Brown, principal of Dana Brown Associates in New Orleans

Dana Nunez Brown, principal of Dana Brown Associates in New Orleans, is one of four Robert Reich School of Landscape Architecture alumni to be elevated to ASLA fellowship in 2017.

Brown received her nomination for ASLA fellowship in service from the Louisiana chapter of the ASLA.

Originally, Brown was studying to be a museum curator at Texas Christian University in Fort Worth, but circumstances beyond her control resulted in her needing to continue her education at a less expensive university closer to home. She chose LSU, but couldn’t imagine going from her small class-size of seven students to the packed lecture classes at such a large university. So she regrouped and reassessed.

“Back then, you had to register for classes at the PMAC—the old-fashioned way,” she laughed. “Counselors were on hand to answer questions, and I made a list and went from counselor to counselor, considering my options.” She met LSU alumnus and former faculty member James Turner, who started talking to her about landscape architecture. “That was 1974. I fell in love with it, and I’ve loved it ever since. Looking back, I think museum curation would have driven me nuts, being inside a building all day long doing one thing.”

Now approaching almost 40 years of experience as a landscape architect and planner, Brown has worked for firms in New Orleans and Baton Rouge, Louisiana; Boston, Massachusetts; and Orange County, California.

After receiving her BLA from LSU, she went on to the Harvard Graduate School of Design, where she earned her MLA while working for “a big, international, swanky firm in Boston, where I couldn’t afford the wardrobe,” she quipped. Her work there included the design of a horse farm in Versailles, Kentucky, and several public parks in Boston.

She returned to New Orleans, her hometown, and worked on quite a few large planning projects before trying her hand at teaching. She taught regional planning, geographic information systems, and urban design classes at LSU for four years in the 1980s, just after the landscape architecture program moved out of the basement of the Huey P. Long Building and into the newly constructed Design Building. While at LSU, she helped set up the Computer-Aided Design and Geographic Information Systems (CADGIS) lab, which to this day provides students and faculty access to large-scale printing, scanning, computer services, and specialty software.

Ultimately, Brown decided to return to professional practice. “I still love teaching, but after four years, I felt I didn’t have any more to give. I believe in a practicing profession and that a professor has to have something they believe in to profess, and I didn’t have that yet.”

Brown packed up and headed west—to California, where she worked for EDAW, an international landscape architecture, urban, and environmental design firm that operated from 1939 until 2009, when it was merged into AECOM. In California, Brown delved into environmental design; she gradually became an expert in environmental planning, preparing environmental impact reports and resource management plans; she learned how to deal with threatened species and bird habitats, and how to create spaces without destroying the very thing that was there to enjoy.

“I thought I was in heaven learning all of that,” she avowed. “The greatest thing about this profession is that you’re always learning, always trying different parts of the profession.”

Brown introduced GIS-mapping and design methods to EDAW while working on a new 50,000-acre development in Arizona. While in California, she also worked for the environmental group at Parsons Brinckerhoff, now WSP, a leading transportation engineering firm best known for designing the original New York City subway. At Brinckerhoff, she worked with power companies across the United States to find ways to install giant transmission lines and implement hydroelectric power as conscientious stewards of the land. She managed a large 30.5-mile freeway project in California that involved the protection of historic sites, a massive environmental impact report, and coordination with the Environmental Protection Agency. The project was possibly the first in the country to be completed under President Clinton’s Environmental Justice Act. She worked on transportation corridors around the world, including a light-rail project in Jerusalem, a highway system in Nicaragua, and a high-speed rail in Taiwan.

Brown said she loved working and living in California, but she was starting to miss home, her father became ill, and then LSU called her and said they needed her to come back and teach. “It was meant to be,” Brown recalled. “I am definitely more needed here. There are a lot of people working in environmental planning in California—not so many here. I like being needed and getting into the communities.”

She taught at LSU for four more years, 2002–2005, and in 2004, she started her own Baton Rouge–based design firm, later renamed Dana Brown & Associates, a collaborative creation of landscape architects and planners who have practiced in diverse professional realms and geographic regions. DBA is one of the largest landscape architecture and planning firms in Louisiana and a state-certified Disadvantaged Business Enterprise, Women’s Business Enterprise, and Small Business Enterprise. The firm’s extensive experience includes stormwater and floodplain management, transportation corridor planning, urban design, comprehensive planning and economic development, park and recreation design and construction, health center planning and construction, campus master planning and construction, GIS modeling of land-use and zoning regulations, guideline development, regional planning, and ecological-based design.

“A lot of what we do in New Orleans is very, very serious environmental justice–driven work, and we get to work with communities on a lot of great projects,” elaborated Brown.

Brown’s impressive career would be enough, on its own, to earn her a spot in the ASLA’s Council of Fellows, but when combined with her pro-bono design work for nonprofit organizations, churches and neighborhood groups, and those most in need, she is the embodiment of what the term service means. Brown is described at asla.org as an “inspiring and consummate professional who places education and service above all else.” A sampling of her contributions includes the Lafitte Greenway master plan; a sensory garden for autistic children; water management and master plans for parks in Hollygrove and Hoffman Triangle, both historic African American communities; and EPA water-quality monitoring and education at three New Orleans schools. “She volunteers on public panels and boards, teaches community leaders about the importance of stormwater management, and demonstrates the vital role landscape architects play in regional planning and development,” asla.org continued.

She also continues to teach, as often as she can. She lectures at Tulane and the University of New Orleans and co-teaches studios at the LSU Robert Reich School of Landscape Architecture, from time to time. And she definitely, now, has something to profess.

“One of my biggest beliefs is the marriage of science and design and designs that function. I don’t really believe in trees and shrubs just to look at but in designing functional landscapes,” she stressed.

Her advice for future landscape architects is to take risks and always be learning.

“I’ve practiced since 1979. Landscape architecture is a great profession. I wake up every day and still love it, and I’ve had a broad career all over the map. Dr. Reich made such a difference in my life, and I always try to recruit for the LSU Robert Reich School of Landscape Architecture,” ended Brown.

Learn more about Brown and Dana Brown & Associates at danabrownassociates.com. View the complete list of ASLA’s 2017 Class of Fellows at asla.org.

Alumni Profile: Bob Richardson, BLA 1969

bob richardson rvi

Bob Richardson III, CEO and founding principal of RVi Planning in Austin Texas

Robert “Bob” Richardson, CEO and founding principal of RVi in Austin, Texas, is one of four Robert Reich School of Landscape Architecture alumni to be elevated to ASLA fellowship in 2017.

Richardson was nominated as a fellow of the American Society of Landscape Architects by the Texas chapter of the organization for his contributions to the profession in leadership and management.

“It’s great to be acknowledged by your peers in this way,” stated Richardson.

Like many others who fell in love with the profession, Richardson took architectural drafting classes in high school because of his interest in drawing. He confessed that he didn’t know much about landscape architecture when he enrolled at LSU. But during his first year in the architecture program, he took Robert Reich’s introduction to landscape architecture course and was fascinated.

“I enjoyed sports and the outdoors, and the idea that I could be involved in creating and designing these memorable spaces appealed to me.” He took a second course and his fate was sealed. “I decided I was more interested in outdoor spaces and the large-scale look at our environment more than I was in buildings.”

Richardson’s years at LSU coincided with the transition of the major from a Bachelor of Science to a professional Bachelor in Landscape Architecture, from a four-year to a five-year degree. He stayed the extra time and received his BLA from LSU in December 1969.

After graduation, Richardson worked for Myrick Newman Dahlberg in Dallas, where he developed a strong background in project organization and office management. In 1976, he worked on a project in Austin, at the time a burgeoning college town. The Waller Creek project was successful, leading to more work for the firm, and Richardson was asked to open and lead a branch in Austin.

In 1982, MND was undergoing some structural changes, and, as Bob put it, “One thing led to another and Joe Verdoorn from MND’s Dallas office and I decided to open our own firm.” And, thus, RVi was founded.

“The timing was good. Austin was growing, and RVi rode the wave of growth and—well, we’re still here,” he laughed.

Richardson took on all the business and financial aspects of the firm, “keeping my finger on the pulse of the city.” He wanted RVi’s landscape architects to participate in the community. Richardson was a key leader in Austin’s civic endeavors and served on several boards. Much of RVi’s commissions were large-scale land planning and land-use projects.

Arguably, RVi’s arrival in Austin when the city was undergoing a surge of economic growth helped make the city what it is today. “RVi was the most prominent landscape architecture firm in the ’80s and ’90s, and we were heavily involved in what was happening in Austin. We took on that role of being a good design firm.”

Richardson stressed that all of RVi’s planners were landscape architects. “We wanted designers to be involved in the planning. Even today with all the different planning degrees available, we still hire designers for our planning positions.”

Richardson remembers the development of 1,500 acres in Cedar Park, a suburb north of Austin, as one of his most challenging, and rewarding, projects at RVi. The firm was retained by foreign investors who owned the majority interest in the property, and RVi was asked to guide the project through the entitlement process, which would have been an organizational nightmare to most, but Richardson embraced the challenge and received zoning approval for development.

“We had to deal with contentious neighbors; the property was home to an endangered species . . . we coordinated the whole team of civil engineers, traffic and environmental consultants and worked through the city’s entitlement process, including reading the political tea leaves,” Richardson recalled.

Another of his favorite projects at RVi is Mueller, an ongoing redevelopment of Austin’s abandoned Robert Mueller Municipal Airport. RVi designed more than 140 acres of parks and open space and an extensive, seven-mile hike and bike trail system at Mueller. Now in the 14th year of the master plan, Mueller includes three separate greenways, a playscape, picnic area, an open space for leisurely activities, and interpretive and educational opportunities.

“Converting the space from an airport to a walkable community has been really fun,” shared Bob. “We got to fill in the missing piece of the puzzle in Austin, the hole in the donut.”

Richardson believes that the mission of landscape architecture is to protect the environment and enhance people’s lives. He said he knows he’s lucky that after 47 years he is still excited to wake up every morning and go to work. “Landscape architecture is not a job; it’s a career, a passion. My wife reminds me all the time that a lot of people don’t have that.” Richardson has been married to his wife, Susan, for 49 years.  They have two sons, Doug and Jason, and three grandchildren.

Richardson’s advice for future landscape architects is to immerse themselves in the profession as wholeheartedly and as soon as possible. “Do anything and everything it takes, even if it means making the coffee and taking out the trash—being available, stepping up to the tasks before you, is critical.”

In 35 years, RVi has expanded beyond its Austin roots to four offices across three states. The 40-person firm employs seven LSU landscape architecture graduates, three of whom are principals: Chip Mills, Mark Smith, and Barbara Austin, who has been with the firm for 23 years. RVi also hires interns each year to help introduce new people to the profession.

Learn more about Richardson and RVi Planning at rviplanning.com. View the complete list of ASLA’s 2017 Class of Fellows at asla.org.

3rd Annual Statewide Juried Exhibition for High School Artists

2017 lsu high school art exhibition

The LSU School of Art, in conjunction with the LSU College of Art & Design will host the 3rd annual statewide juried art exhibition for high school artists. The LSU School of Art—one of the largest and most comprehensive art schools in the region—will showcase selected works from students who represent talent from all areas of the state. The goal of the exhibition is to inspire young artists by providing a platform for their work to be displayed in a contemporary gallery setting, thus giving them a taste of professional experience. This annual exhibition is intended to showcase the finest artistic student talent in Louisiana.

This 3rd annual exhibition will be held February 20–March 18, 2017, at the Foster Gallery on the LSU campus. Winners will be announced and prizes will be awarded at a closing reception for the artists on March 18, 2017.

Eligibility:

All public, private, and home-schooled high school students (grades 9 through 12) who reside in Louisiana at the time of submission are eligible.

Submission Requirements:

  • Artwork must be submitted by a high school teacher or Each high school teacher/representative may submit up to 10 pieces of artwork. Please note that this is a juried show. Entries are not guaranteed acceptance.
  • There are no fees associated with
  • Any piece created by students at any time during their high school education may be submitted.

How to Submit Artwork:

Artwork should be submitted by January 9, 2017, through Slideroom at:

https://lsuart.slideroom.com/ – /permalink/program/33854

Media:

Paintings, prints, drawings, sculpture, ceramics, photographs, computer- generated art, digital media and mixed media artwork that meets the following specifications are eligible for submission.

Two-dimensional work must not exceed 40 inches wide by 68 inches high. Three-dimensional work must not exceed 60 inches high by 40 inches wide and 40 inches deep.

Work must be physical and tangible and must remain in the gallery for the duration of the exhibition. All two-dimensional works must be framed and ready to hang for a professional gallery with the appropriate mounting hardware (wire, cleats, etc). Using tape to secure hanging wire is unacceptable. All pastel and charcoal drawings must be sprayed with fixative. All three-dimensional works must be structurally sound with all components securely fastened.

Jurors:

Submissions will be selected by a jury of School of Art faculty members.

Awards:

First-, second-, and third-place winners will be selected, and honorable mentions will be awarded in the following amounts. A special award will be made to the teacher/program with the best overall showing.

  • First Place: $500
  • Second Place: $300
  • Third Place: $200
  • Honorable Mentions: $100

Sales:

Since the purpose of the exhibition is to provide an opportunity similar to what a professional artist would encounter, we encourage all work to be for sale. Please consider reasonable prices to encourage sales. All sales are to be conducted between the buyer and the artist. The gallery will not be responsible for delivering purchased works. Price on Request (POR) designations will not be accepted for any artwork. Not-for-sale (NFS) artwork must still include an insurance value.

Liability:

Every precaution will be taken to assure protection of entries. Liability for hand-delivered works left after the pickup or shipping dates will not be assumed by the LSU School of Art.

Shipping/Delivery:

All selected works must be received by either shipment or delivery by February 13, 2017.

Delivery:

Works must be delivered to:

LSU School of Art Foster Gallery
Louisiana State University
111 Foster Hall
Baton Rouge, LA 70803
225-578-5402

Gallery Hours are Monday through Friday, 10 a.m. to 4 p.m. If you need to deliver on a weekend, please contact Kitty Pheney in advance to make arrangements. 

Shipping:

Shipped works must be received in the LSU School of Art Office, 220 Design Building, no later than February 13 at 4 p.m.

Outbound shipping and packaging costs are the responsibility of the student artists or high schools.

The School of Art will cover return shipping preparations and costs. In most cases, work will be returned in the same boxes/materials in which it arrived.

Shipping Address:

Attention: Kitty Pheney/High School Art Exhibition
School of Art
Louisiana State University
220 Design Building
Baton Rouge, LA 70803

Schedule & Deadlines:

January 9, 2017

Submissions are open now, but must be uploaded to Slideroom by January 9.

January 13, 2017

Teachers/schools will be notified on or around January 13, if their submissions are selected for the exhibition.

February 13, 2017

Selected works must be delivered/shipped to the School of Art by February 13.

February 20, 2017

The exhibition, which will take place at the LSU Foster Gallery, opens to the public on February 20. Gallery hours are Monday through Friday, 10 a.m. to 4 p.m. Please let us know if you are bringing a group from your school.

March 18, 2017

The winners will be announced and prizes awarded at the closing reception at the LSU Foster Gallery on March 18, 2017, 1–3 p.m.

March 18, 2017

The exhibit closes to the public on March 18, 2017. Teachers (schools) are allowed to take work from their school with them at the end of the reception.

April 1, 2017

Hand-delivered artwork that has not been sold must be picked up by April 1. (Special arrangements can be made for weekend pick up should this be necessary.)

A storage fee of $10 per day will be charged for hand-delivered artwork not picked up by April 7, 2017. Shipped work will be returned by the week of March 27.

Contact:

For more information contact:

Kitty Pheney
LSU School of Art
220 Design Building
Baton Rouge 70803

Office: 225-578-5411
Cell: 225-266-4812
E-mail: kphene2@lsu.edu

View a printable version of the prospectus.

The Bear Necessities

wildlife crossings

Aerial image of wildlife overpass on the Trans-Canada Highway (#1) in Banff National Park (Image courtesy of Parks Canada)

The Louisiana black bear once roamed freely throughout the state. Today, only three core subpopulations endure, each plagued by habitat fragmentation. Disconnected from the other populations by Highway 90, the coastal subspecies, the closest hereditary strain to the original Louisiana black bear, is suffering from overpopulation. Unable to reach adequate resources, bears often wander into residential areas to scavenge easily accessible garbage and, too often, these foraging attempts lead them to their death. According to the Louisiana Department of Wildlife & Fisheries (LDWF), 68 Louisiana black bears have been killed in bear-vehicle collisions along a stretch of Highway 90 in St. Mary Parish since 1992.

In fall 2015, LSU Robert Reich School of Landscape Architecture students had the opportunity to approach the habitat fragmentation problem from the perspective of landscape architecture. Kenny Ribbeck, biologist in the wildlife division of LDWF, approached LSU landscape architecture professor Forbes Lipschitz about researching the potential and feasibility of constructing a wildlife crossing over Highway 90 to reduce the number of collisions and improve connectivity among the species.

Lipschitz incorporated the project into her third-year undergraduate landscape design studio (LA 3001), tasking students to create a network of crossing infrastructure. The students were instructed to design the crossing and fencing and vegetation strategies and to develop a campaign to promote the project to the public.

“Creating crossing infrastructure to restore habitat connectivity requires coordinated interventions across multiple sectors at multiple scales,” said Lipschitz. “How can design facilitate decision making when conservationists, politicians, and community members have different values and interests and don’t always speak the same language? I believe that landscape architects are uniquely suited to answer this call. That we are economic, social, urban, and environmental generalists affords us a broad macro-level knowledge base with which to approach the problem.”

To prepare the students for the semester-long project, Lipschitz, with support from the LSU Coastal Sustainability Studio, flew in two leading experts, Nina-Marie Lister and Jeremy Guth, professional advisors to and founding sponsors of Animal Road Crossings (ARC), an interdisciplinary partnership working to facilitate new thinking, new methods, new materials, and new solutions for wildlife crossing structures.

Lister and Guth helped Lipschitz connect with other leading experts in wildlife crossing structures, including Dr. Tony Clevenger, a senior wildlife research scientist who specializes in identifying the effects of highways and other barriers on wildlife connectivity, and famed conservationist and photographer Harvey Locke, cofounder and strategic advisor to the Yellowstone to Yukon Conservation Initiative. A native of the Calgary-Banff area of Canada, Locke is globally known for his work on wilderness, national parks, and large landscape conservation.

wildlife crossings

The entire Bachelor of Landscape Class of 2018, with Professors Risk and Lipschitz, at Lake Moraine in Banff National Park. The students spent 10 days in Alberta, British Columbia, where they viewed one of the best testing sites of innovative roadway mitigation/wildlife passages in the world. (Image courtesy of Delaney McGuinness)

The studio spent 10 days touring Alberta, British Columbia. They visited Banff National Park, one of the best testing sites of innovative roadway mitigation/wildlife passages in the world. Currently, there are 44 safe-passage structures for wildlife along the 83 kilometers of the Trans-Canada Highway in Banff National Park. Scientists have collected more than 15 years of data on wildlife using the crossing structures along the highway—from salamanders, frogs, squirrels, and weasels to coyotes, wolverines, lynx, bighorn sheep, and grizzly bears. In Banff, the students met with Locke, Clevenger, and more leading experts, and they got to view dozens of wildlife crossing strategies firsthand.

Bachelor of Landscape Architecture candidate Benton Williams, a native of Baton Rouge, noted four particular structures in use at the park: a large overpass spanning the highway; a box culvert underpass that most drivers wouldn’t even notice; an aquatic underpass built for salamanders; and a retrofitted highway underpass that encourages animals to cross under, instead of on, the highway by adding strategic fencing to the existing structure.

wildlife crossings

This aquatic underpass was built for salamanders, which require the stream for their life evolution processes. (Image courtesy of Benton Williams)

“We learned how animals that evolved in the prairie, such as deer and grizzly bears, like to use the overpass crossings that offer a wide view of their surroundings,” commented Williams. “Animals that evolved in the forest—wild felines, moose—tend to favor the underpasses, which keep them hidden and out of the open.”

After they returned from the field trip to Banff, the students were divided into groups of three to work on their crossing infrastructures for the black bear.

“We came back and started trying to implement their strategies in the Atchafalaya, a vastly different demographic and landscape,” shared Delaney McGuinness, BLA candidate from New Orleans. “The biggest differences were in elevation and the water table.”

The students participated in a design charrette with Lister, Guth, and LDWF’s black bear specialist, Maria Davidson. They visited neighborhoods in St. Mary Parish to learn more about problems the bears face due to habitat fragmentation and to get a feel for the local population’s attitude toward the species, which was “surprising,” according to third-year BLA candidate Daniel Hernandez of St. Amant, Louisiana.

“In Canada, you can see how everyone coexisted with the wildlife,” explained Hernandez. “We do that to a certain extent, but only with the animals we like or the ones we can hunt.” (Even though the Louisiana black bear was removed from the threatened species list in March 2016, the species remains protected from hunting by state laws.) “The relationship—regardless of how dangerous the animal is—is just different here in Louisiana,” continued Hernandez. “We have different priorities. We had to approach the same problem from a completely different social perspective.”

The student groups worked on the project at a variety of scales, and each group developed a narrative, or theme, to use to present their ideas. Some students developed a larger framework throughout the Atchafalaya region. Others focused on the sugar industry—how might we create more bear friendly sugar? One group came up with lower cost solutions for retrofitting existing structures. Another created a campaign to use Louisiana’s many festivals as a promotional platform.

wildlife crossings

The crossing structure designed by Hernandez, McGuinness, and Williams is designed to be as inconspicuous as possible to bears but highly detectable by humans. The group proposed the inclusion of a large, four-story observation tower to allow interested parties to conveniently pull off the highway and explore the native scenery while learning about wildlife connectivity.

Hernandez, McGuinness, and Williams’ team embraced Louisiana’s reputation as a sportsman’s paradise in their proposal titled, “The Atchafalaya Bear Authority.” They designed a crossing infrastructure that included a section of raised highway with an underpass, fencing and vegetation strategies, an observation tower to serve as an educational tourist destination, and well-marked signage to engage the public. Their campaign was focused on hunting and community engagement. Assuming the population would increase enough to allow for hunting, they proposed building a ritzy hunting lodge in St. Mary Parish and selling a number of hunting tags as an economic driver to help fund conservation efforts. They envisioned an app to engage and educate the public with incentives to coexist with the bears, such as gas discounts for uploading pictures of locked, bear-safe garbage cans.

Each student group designed a project book and presented their final results to LDWF at the end of the semester.

Sweetbear Sugar: The Use of Sugarcane Production for Wildlife Conservancy

by Hagan Doyle, Aidan Gallaugher, and Seth Winkler

“The studio projects encompassed ideas that captured not only the physical needs of a system that would allow this subpopulation of bears safe access across the highway deathtrap, but also the educational and awareness aspects that are equally important in the long-term management of such a species,” Ribbeck stated. “The designs included mechanisms to allow public engagement and understanding of the structures’ role in the recovery and management of this charismatic mega-fauna species, one which not many Louisianans are aware even exists within the Louisiana landscape. Insightful mechanisms were included that could also aid instead of impact commerce and development in the area while encouraging the long-term use of the project areas by the bears for their continued recovery and eventual connection with other subpopulations in the state.”

In the end, the bear-crossing project introduced students to even more areas where landscape architects can make a difference in the world.

“Just for this project alone we dabbled in wildlife ecology management, public relations, outreach, branding. We did site design. We had to look at regional processes on the human and ecology side; we had to learn people’s relationships with things that we never thought about,” said Hernandez. “It’s amazing how many different jobs you can do with the things you learn in this program.”

 

Alumni Spotlight: Karla Christensen, MLA 1994

karla christensen

Alumna Karla Christensen (MLA 1994) is a certified playground inspector and often introduces U.S. playground safety standards and new technologies in her projects in conflict and war-torn countries.

Somalia. Colombia. Indonesia. Sri Lanka. Albania. Bosnia-Herzegovina.

Karla Christensen’s 12 years of international experience managing programs in education, youth development, sports and recreation, community-based conflict prevention, reconstruction, and rehabilitation spreads across numerous post-disaster and conflict countries.

Inspired by her father, an original 1961 Peace Corps volunteer, Karla always knew she wanted to work in international aid. After she received her BA in International Relations from Tulane, she joined the Peace Corps and spent two years volunteering in Costa Rica. Enjoying her work facilitating community-built projects such as public parks and playgrounds, she was advised to pursue a master’s in landscape architecture. She chose LSU because of the program’s high national ranking.

“Landscape architecture is one of the best preparations for a career in international development,” noted Karla. “You learn how to manage projects from design, analysis, and program development to construction documentation, contracting, teamwork, and presentations while being sensitive to environmental, social, and cultural issues. Landscape architects look at a community and can understand the needs of the people.”

After graduating from LSU, she spent a year in Malta as a Fulbright Scholar and landscape designer for the Government of Malta’s Department of Tourism, and she designed and constructed family “edutainment” centers and children’s play gardens for parks, schools, and child-care facilities in Kansas City. But she missed working abroad.

karla christensen

Using local materials and resources, Christensen’s playground in Banda Aceh, Indonesia, includes a six-meter-long fiberglass slide, boulder caves, and a concrete monitor lizard.

By networking at a Returned Peace Corps Volunteer Conference, she landed a position with the American Refugee Committee. Three weeks later she was in Bosnia-Herzegovina, where she helped build almost 250 playgrounds and sports fields in little more than a year. She recalled a difficult time when her team hoped to organize a soccer game for social reconciliation between the Bosniaks and the Serbs. A few days prior to the planned event, they found a mass grave.

“Of course, we canceled the game. Some of the most challenging times were when I felt I was pushing an agenda that people weren’t ready to discuss or move forward with. The soccer game was important to the program, but not a priority for the community.”

Karla continued working in war-torn and conflict countries for several non-profits. She managed a $1.6 million grant jointly funded by USAID and Catholic Relief Services in Tirana, Albania, following the Kosovo conflict, completing the reconstruction of 21 schools, sports fields, and playgrounds with full community participation. Following the tsunami in Aceh, Indonesia, she managed a $5 million grant jointly funded by the American Red Cross and Mercy Corps, completing the rehabilitation and/or construction of community-based projects including schools, roads, bridges, parks, and playgrounds.

karla christensen

Kids Rock!, a playground designed by Christensen in Banda Aceh, Indonesia

Her landscape architecture skills prepared her with essential communication tools that helped her overcome language barriers and cultural challenges. “Being able to draw an idea and develop a concept with a community is crucial,” Karla elaborated. For example, women are not accustomed to speaking out in often male dominated groups in many of the villages in Aceh, a Muslim region that follows Sharia law (a strict interpretation of the Quran). “It was the women’s viewpoint that we also needed in order to prioritize the projects that we were to support,” shared Karla. “We started to hold separate meetings, and then the women felt empowered to express themselves.”

All challenges aside, Karla would much rather focus on what makes working in post-disaster and conflict countries easy. Labor is much less expensive in developing countries, so cost does not often control design. “I can create poured-in-place structures, six-meter-long fiberglass slides, boulder caves, curved seating walls, large sculptures and gateways—the sky is the limit.” Karla is a certified playground inspector, and often introduces U.S. playground safety standards and new technologies in her projects. However, in developing countries designers are not as restricted by safety regulations that require compliance by insurance companies. “We are free to be creative, making safe parks that are unique to the place, using the local materials and resources that are available.”

karla christensen

Freedom Park in, Kismayo will serve thousands of refugees returning to Somalia from Kenya.

Following her husband, who is with the UN, she has traveled to Sri Lanka and Colombia where, as a free-lance designer, she worked on two large projects in Vietnam and Egypt. She is currently in Kenya, where she helps with public outreach materials for the USAID Somalia Field Office. Karla is often the first to learn about what her colleagues in international aid are doing, and she frequently volunteers to help design new projects. She is currently working on a park located in Kismayo, Somalia, a region recently liberated from the terrorist group al-Shabaab. Along with other infrastructure projects, this park will serve the thousands of refugees returning to Somalia from Kenya.

Clearly, Karla is a passionate advocate for her work. “You have the opportunity to make a difference when you’re in this field,” she said. “There is so much desperate need around the world. Knowing that we can have such a positive impact on the lives of so many is incredibly rewarding.”

Alumni Spotlight: Jeremy Tucker, BFA & BS 1999

As vice president of marketing communications and media for Nissan North America, Jeremy Tucker is responsible for marketing the Nissan brand and the company’s vast product lineup. And he’s great at it. He was named a 2015 Rising Star by Automotive News and one of AdAge’s 2016 “40 Under 40.” Most recently, Jeremy led the brand’s biggest and most successful campaign: a cross-promotional tie-in with the blockbuster hit Rogue One: A Star Wars Story.

“The Nissan Rogue and the first Star Wars standalone movie share more than just a name,” said Jeremy. “The Star Wars film franchise has pushed the boundaries of technology since the debut of the original episode nearly 40 years ago. Nissan is doing the same with its industry-leading cars, trucks, and SUVs like the new Rogue—our most advanced Rogue to date—so it’s natural that the two join forces.”

Jeremy hasn’t always been a car guy. He joined Nissan from The Walt Disney Company’s Consumer Products division, where he led a multi-franchise-focused strategic marketing organization—from Disney Princess to Mickey Mouse to Marvel—spanning diverse business units like toys, clothing, and home goods. In this role he led his team to collaborate across the entire Walt Disney Company to ensure consistency with content creators. Prior to his role with Disney, he was senior director of marketing and national brand innovation for Frito-Lay, and he launched his career as an advertising account executive for Procter & Gamble.

And it all started at LSU, where Jeremy was an LSU Ambassador, played tuba for the Golden Band from Tiger Land, and was one of the first student members of the Graphic Design Student Office in the School of Art. Jeremy holds dual bachelor’s degrees in fine arts (with a focus in graphic design) and marketing from LSU and an MBA from Southern Methodist University’s Cox School of Business.

In 2016, Jeremy and his team made history by signing the largest deal in the history of college athletics with the Nissan College 100 program, spanning 100 colleges and universities and 22 sports for both men’s and women’s athletics. LSU is one of 100 schools supported by Nissan on game days and all year long.

Edward Steinfeld Named 2016–17 Nadine Carter Russell Chair in Interior Design

edward steinfeldProfessor, architect, and gerontologist Edward Steinfeld has been named the 2016–17 Nadine Carter Russell Chair in the LSU College of Art & Design. The four disciplines in the college share the rotating residency; this year’s residency is with the School of Interior Design.

Steinfeld received his architectural degree from Carnegie Mellon University and was offered a fellowship to study gerontology in the School of Architecture at the University of Michigan. Funded by the Administration on Aging, the Gerontology Fellows’ mission was to educate new experts in aging who would be prepared to meet anticipated challenges in demographic trends. Steinfeld completed his Master of Architecture and continued his fellowship, earning a PhD in architecture. His dissertation research focused on age segregation, which sowed the seeds for his future interests in universal design. Today, Steinfeld is internationally known for his research and publications. His special interests include universal design, accessibility, and design for the lifespan, and he is currently working on the development of universal design standards.

A distinguished professor of architecture at SUNY, Buffalo, Steinfeld directs the Center for Inclusive Design and Environmental Access, a leading site for research, development, service, and educational activities centered on the philosophy of universal design, or “design for all.” Providing resources and technical expertise in architecture, product design, facilities management, and the social behavioral sciences, the IDeA Center is focused on making environments and products safer, healthier, and more user-friendly. The center’s primary goal is to increase the social participation of marginalized groups, such as the disabled and the elderly.

“Our concept and approach to universal design emerged from designing for disability, but our approach differs in that we expanded the focus on function to include health and social participation,” noted Steinfeld. “Usability is not sufficient. We design for active living; to reduce accidents and increase safety from aspects that can cause disease, for quality of life.”

The IDeA Center’s biggest coup to date is the receipt of a major grant from the U.S. Department of Education’s National Institute for Disability and Rehabilitation Research. The Rehabilitation and Engineering Research Center on Universal Design helped the IDeA Center expand its activities and established the institute as a National Center of Excellence. Steinfeld also codirects the RERC on Accessible Public Transportation. In partnership with the Robotics Institute of Carnegie Mellon University, the project brings together experts in information technology, ergonomics research, and universal design to advance the practice of accessible transportation and improve the usability of transit systems for all riders.

As Nadine Carter Russell Chair, Steinfeld will work with interior design and architecture students throughout the spring 2017 semester. He will also lead a faculty workshop on the principles of universal design and present a public lecture at 5 p.m. on February 8, 2017, in the LSU Design Building Auditorium.

Visit idea.ap.buffalo.edu for more information about the IDeA Center’s projects and services.

More about the Nadine Carter Russell Chair 

In 1998, Paula G. Manship bestowed a fund for the LSU College of Art & Design to establish the Nadine Carter Russell Chair, named for her niece, a 1967 graduate of the College of Art & Design with a degree in art history. The Nadine Carter Russell Chair enables the LSU College of Art & Design to annually bring a prominent artist, designer, or scholar to campus. The rotating chair provides outstanding opportunities for all disciplines within the college and allows the college to meet a variety of curriculum needs. The duties of the chair primarily focus on teaching and public lectures but vary depending on the recipient’s field of expertise.